蚁人

Sivakarthikeyan Lends His Voice to Rebel Anthem Tharakku Tharakku From Parasakthi_我的网站

A | AI摘要厦门交警骑警队开展2026年暑期集训，女骑警苦练扶车、绕桩等基本功，驾驭近700斤重警用摩托，提升高温下应急处置与路面保障能力，全力护航暑期高峰及投洽会交通秩序。骑警组在训练。（厦门日报记者赵博洋摄）下蹲，腰部抵住车座。 With Parasakthi inching closer to release, composer actor GV Prakash has offered a key update that shifts the spotlight squarely onto Sivakarthikeyan. The actor has lent his voice to Tharakku Tharakku, the fourth single from the film, a track GV Prakash describes as a rebel anthem. The announcement, shared with a photograph featuring Sivakarthikeyan and director Sudha Kongara, has quickly become one of the most talked about developments surrounding the project.While Sivakarthikeyan has sung in films before, his decision to voice a song in Parasakthi feels particularly deliberate given the film’s political and historical setting. Rather than functioning as a novelty, Tharakku Tharakku appears positioned as an extension of his character’s inner voice, one that aligns performance, ideology, and music.When the lead becomes the voiceParasakthi is set in the nineteen sixties and draws from the Anti-Hindi agitations that swept Tamil Nadu in 1965. Within this context, Sivakarthikeyan singing a rebel anthem adds narrative weight to the soundtrack. It suggests a song that is meant to belong to the character rather than sit outside the story as a standalone musical moment.GV Prakash has already shaped a varied musical landscape for the film. The earlier singles Adi Alaye, Ratnamala, and Namakkana Kaalam explored romance, emotion, and collective aspiration. Tharakku Tharakku, however, seems designed to cut sharper, both musically and thematically. Described as a rebel anthem, the track is expected to channel resistance, urgency, and defiance, qualities that mirror the political climate the film revisits. #SK sings for #parasakthi the rebel song #tharakkutharakku @Siva_Kartikeyan @Sudha_Kongara @DawnPicturesOff pic.twitter.com/1TZ6Yp7Ooa — G.V.Prakash Kumar (@gvprakash) December 15, 2025 Sivakarthikeyan’s vocal presence also reinforces his evolving image as an actor who increasingly gravitates toward roles rooted in social consciousness. Singing the song himself blurs the line between performer and protagonist, allowing the music to function as a direct emotional conduit rather than a decorative addition.A politically charged ensemble dramaDirected by Sudha Kongara, Parasakthi marks her fourth feature after Drohi, Irudhi Suttru, and Soorarai Pottru. Known for her ability to blend strong character arcs with larger socio-political themes, Sudha appears to be using music as an integral storytelling tool rather than a pause in the narrative. She has co-written the film with Arjun Nadesan, with additional screenplay by Ganeshaa and dialogues by Madhan Karky and Shan Karuppusamy.The film is headlined by Sivakarthikeyan and features Ravi Mohan in what is said to be the first antagonist role of his career. Atharvaa plays a key part, while Sreeleela makes her Tamil cinema debut as the female lead. There has also been speculation about Rana Daggubati’s involvement, though the makers are yet to confirm his casting. Details about the characters remain under wraps, adding to the sense of anticipation. The technical team includes Ravi K Chandran as cinematographer, Sathish Surya as editor, S Annadurai as art director, and Supreme Sundar as action choreographer. Produced by Aakash Baskaran under the Dawn Pictures banner, the film has Dev Ramnath as creative producer, with MP Senthel and Rhea Kongara serving as executive producers. Red Giant Movies is handling distribution.With postproduction in full swing and a theatrical release locked for January 14, 2026, Parasakthi is shaping up as one of the most ambitious Tamil films on the horizon. As anticipation grows, Tharakku Tharakku stands out not just as another single, but as a moment where Sivakarthikeyan’s voice becomes central to the film’s political and emotional core.Also Read: AR Murugadoss Spills Details About Sivakarthikeyan’s Madharasi。女骑警张颖微微一个皱眉，近700斤重的摩托车眨眼间就被她从地上扶了起来。这是8月18日，厦门市公安交通管理支队二大队骑警组训练现场的一幕。近期，厦门交警骑警队2026年暑期阶段性集训正在进行。

B | 这样举重若轻是怎么办到的？“巧劲，还有无数次的训练。”张颖说话温温柔柔，和刚才发力时的利落判若两人，“我130斤，摩托车快700斤，是我体重5倍还多，靠蛮力肯定不行。”刚上手时，她没找准受力点，车抬不起来，腰还受过伤。

C | 经过长期摸索，她才熟练掌握杠杆发力：下蹲、抵腰、蹬腿、起身，一气呵成。

D | 如今在训练中，她可以连续扶起摩托车5次。另一边，女骑警陈翩翩刚练习完绕桩，汗水已透出骑警服：30多摄氏度的高温下，站一会便汗流浃背，还要穿着全套防护装备，再加一台不断散发高温的“钢铁怪兽”。“上车几分钟，内层速干衣全湿透。”陈翩翩说。2023年入队的她是首批上路巡逻的女队员。 “先绕桩，再扶车，都是基本功。”市交警支队二大队骑警组组长孙克明指向场地。

E | 引擎轰鸣此起彼伏，骑警们驾车鱼贯冲入八字桩阵，车身大幅倾斜，膝盖几乎擦着地面，视线始终死死咬住下一个桩桶，车头一摆一摆间，车辆头尾衔接、流畅默契；紧接着切换一字桩，桶阵笔直排开，车手们收油、点刹、给油，车身微顿又迅疾前冲——这是在锻炼手脚配合与刹车操作精准运用。扶车成为“必修课”，与车辆重量直接相关。孙克明介绍，目前骑警们使用的春风1250型警用摩托车，加满油后总重接近700斤，原地倒车若无法独立扶起，勤务就会中断。